Lachenmann – Kontrakadenz Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann · See the Sound (Hommage to Helmut Lachenmann). Helmut Lachenmann, the German composer born in Stuttgart in , .. The first work is, in my opinion, Lachenmann’s finest: Kontrakadenz. View credits, reviews, tracks and shop for the SmartPac CD release of Kontrakadenz / Klangschatten – Mein Saitenspiel / Fassade on Discogs.

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Originally written for Ensemble InterContemporain and premiered by this group under the present conductor, this piece has been recorded elsewhere, equally brilliantly, but its inclusion here koontrakadenz this disc even more laudable.

Helmut Lachenmann – Wikipedia

Listen to Radio 3 Radio 3 broadcasts classical music, jazz, world music, new music, arts programmes and drama. Consequently those qualities, such as timbre, volume, etc. A sustained Hammond organ figure, commented on by kontrzkadenz electric guitar and percussion, then leads to a crescendo tam-tam strike, after which roaring brass and strings enter the fray.

Their isolated notes, sprinkled across similarly irregular patterns in the strings, are fundamental to the piece, but the sustained slow tempi and quiet dynamics may make this work more difficult for novice listeners.

They do not exist as effects, however, but instead as characters in the musical dramaturgy, so to speak, as they do in most works of lachdnmann traditional repertoire. The orchestral works are thus colorful, but not at all excessive in their treatment.

For the most part, it is a quiet, almost static piece the title, Fluctuations on the Fringeimplies that the fringe here is not only lachenmanb between the instruments themselves, kontrxkadenz also the border between noise and silencepunctuated by occasional brass outbursts; the pianos lead the way most of the time, however, their steady cluster pulse like a beacon. Lachenmann was born in Stuttgart and after the end of the Second World War when he was 11 started singing in his local church choir.


You might think that the Italians invented music, such is their constant reassessment of the past. Although this work is less than a decade old, it has already received stagings in various parts of Europe and in Japan. He has regularly lectured at Darmstadt since Whether you pick up these recordings or come across others, I urge you to give this compelling composer a chance.

This radio recording was made soon after its premiere. The performance is excellent and though the piece has been recorded elsewhere, the easy availability of this CD makes it especially priceless.

By taking the essence of so-called classical music, i. The Schwankungen available here is the live recording from its premiere at Donaueschingen in October January Out Kontrakadnz Helmut Lachenmann, the German composer born in Stuttgart inhas been at the center of musical debates for nearly four decades and remains there, undaunted, today. Five essential works by Leonard Bernstein. A definite turning point in his career occurred away from the classroom, when he attended the summer courses at Darmstadt for the first time inwhere he found a mentor in the form of Luigi Nono, one of the few composers at that time of rampant serialism who openly embraced the past.

For these reasons, it is quite possible that average listeners will be disappointed when they hear his music.

Lachenmann Kontrakadenz; Klangschatten; Fassade |

The composer calls it a secret march and indeed it kontrakafenz forward propulsion throughout most of its minute course. Share this article Share. By using this site, you agree to the Terms of Use and Privacy Policy.

A short bio appears at the end of this piece. Showing an early aptitude for music, he was already composing in his teens. It is a passage repeated — with variations, naturally — several times before the work attains its proper end. His explorations of what composition really involved, in terms of its social context and the act of performance intimately enmeshed with it, had already taken him well beyond lachhenmann boundaries of what is generally considered as music.


Both pianos and strings are wont to play in groups and in changing intervals and roles; the pianos play throughout the piece, but it is not overtly clear that there are three pianists; one might think there are konhrakadenz two or possibly only oneso sparse is knotrakadenz material.

He also worked briefly at the electronic music studio at the University of Ghent incomposing his only published tape piece Szenario during that period, but thereafter focused almost exclusively on purely instrumental music.

He has also contributed booklet notes to the British label Metier and articles for German and Russian publications. As in Kontrakadenzthere is another element at work in this piece; instead of a radio, it is a tape which features mostly radio static, white noise and occasionally a sliver of a voice.

More by Helmut Lachenmann

His music is therefore primarily derived from the most basic of sounds, which through processes of amplification serve as the basis for extended works. This page was last edited on 29 Decemberat Nonetheless, it is much more tranquil, almost somber, than kontrakadehz would imagine an allegro kontrakadehz be. It sounds almost like a direct dialogue with the music of the past, presented through the eyeglass of the modern world.

His music lacks the generalized, perhaps romanticized, notion of beauty: Although his aesthetic has perhaps not served as the foremost model in new European music — and to his benefit: You can opt-out at any time.