Kierkegaard seems to have written “The Seducer’s Diary” partly as a means of presenting himself as the titular cad, in an effort to save the. “In the vast literature of love, The Seducer’s Diary is an intricate curiosity–a This work, a chapter from Kierkegaard’s first major volume, Either/Or, springs from . Diary of a Seducer records Johannes’s discovery of a girl with the Shakespearean name Cordelia, whom he sets out to control. Intricately.

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When he was close to despair, when he said: Este libro puede parecer superficial al inicio pero conforme avanza te das cuenta como va penetrando en ti la personalidad del personaje y logras entender cada pasa que va dando para cumplir con su cometido. Kierkegaard said that it should be regarded as a calling.

Return to Book Page. The Classics2nd edition. Amazon Inspire Digital Educational Resources. But this work is also difficult to read without outrage.

Hence it is the melodrama of pursuit and mischances that play out the center-stage in most movies, while the ‘they lived happily ever diart is always the small inconsequential part which no one is interested in – the part at which people get up and leave.

Johannes is essentially a professional seducer who pursues women only to the point that they kiekegaard ready to give everything to him; then he abandons them, seeing them as tainted, and moves on to his next target.

Jan 14, Manny rated it liked it Shelves: It is easier to be the villain than to assume the role of the loser. In an autobiographical confession, Johannes writes. This external is perhaps quite unobtrusive but not until I look through it, do I discover that inner picture swducer I desire to show you, an inner picture too delicately drawn to be outwardly visible, riary as it is of the tenderest moods of the soul. Finally, Johannes succeeds in having Cordelia break the engagement herself.

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Diary of a Seducer: Søren Kierkegaard, Alastair Hannay: : Books

We cannot possible know. It’s a story beyond such arguments like God, sedhcer, sins etc. Our young friend will always remain on the outside. The “theory” of social prudence given in Crop Rotation is an example of refined kierkegaqrd. Both German and Danish citizens were reading this book. Once we find what we desire we find that it wasn’t what we imagined it to be. It’s human nature to look to external forces when faced with our own inadequacies but the ethicist is against this.

The conception of Humanity which had been formed in himself and in his own humanity, was so completely akin to the living image of Christ which he cherished aa him, that it was impossible for him to understand how a man could live and breathe without at the same time being a Christian.

Stages on Life’s Wayp. Sedufer is at once both key actor in and passive observer of her seduction, obsessively analysing every minute detail. This word, Virtue, little in vogue until now, became with Rousseau and his school a watchword which was in perfect harmony with their other watchword, Nature; for to Rousseau virtue was a natural condition.

The Seducer’s Diary

Oddly enough he succeeds. Nimble, thinly clad, agile, unarmed, I renounce everything for you. Seducer’s Diary is primarily a philosophical work from Soren Kierkegaard: And by this kind of talk, or rather, by a life that justifies talking this way, I would think-provided that one person can benefit another at all-I would think that I have benefited my esteemed contemporaries more than by writing a paragraph in the system. He insisted that people go to plays to escape from reality and not for instruction.

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It is comic that a mentally disordered man picks up any piece of granite and carries it around because he thinks it is money, and in the same way it is comic that Don Juan has 1, mistresses, for the number simply indicates that they have no value.

In Georg Wilhelm Friedrich Hegel ‘s work, The Science of LogicHegel had criticized Aristotle ‘s laws of classical logic for being static, rather than dynamic and becoming, and had replaced it with his own dialectical logic.

If possible, they are something in their own eyes as soon as others are watching them, but inwardly, where the absolute requirement is watching them, they have no taste for accentuating the personal I. Kierkegaard has this seducer speak again in Stages on Life’s Way [44] where he explores some of the possibilities and then once more where he tries to explain that misunderstanding can be the root of the unity of the tragic and the comic. To see what your friends thought of this book, please sign up.

Psychologically he’s asking if psychologists can really give an kf picture of the inner world. Nowhere is his intellectual tendency more akin to the negative bent of his great contemporary Kierkegaard than in this work.

I know not; he is not among those I have seen; and no doubt I shall never see him.

He is not even content to call his seduction by a single name.